part 2 in a 586 part series
Very few people are allowed to define their music careers narrowly. People who make a living in this field have to be good at a lot of things, and you don’t know yet what those things are. We rarely get to define ourselves, we rarely get to say, “I am a violinist, and I’m only interested in playing Stravinsky.” You get defined by opportunity and necessity – what becomes available for you to do, and what other people need you to do.
The irony is that the better musician you are at one specific thing, the more people will ask you to do things that are outside of your expertise and training. If you’re good, you’ll be successful at it, and get asked to do it again, or something kind of like it, and then you’ll start drifting from the musical definition you imposed on yourself early on. That’s a good thing.
Your 30-year-old self shouldn’t be held hostage to the predilections of your 18-year-old self. Don’t define yourself narrowly. Grab every tool you can, because none of us knows what we we might need on the journey ahead.