Tag Archive for 'APU'

Why Be Virtuous?

Posts in the Music and Ethics: Blog Dilemmas series

  1. Why Be Virtuous?
  2. Ayana and the Sacred Song
  3. Music and Ethics: With Strings Attached

As part of the Music and Ethics class, I post something on the course blog each week for the students to read, consider, and then comment on. This is the first of the blog assignments, and I thought it would be interesting to post it here as well, for you folks to interact with:

Blog Assignment #1: Why Be Virtuous?
In class today, I gave you Plato’s view on the interaction between virtue and the human soul, and how a life lived excellently must mean a life lived with virtue. Plato’s is not the only view on the matter, of course. There are other views, by other smart people, on the meaning and purpose of virtue.

Let’s start off the blog assignments by reacting to a few of those perspectives. Here are four statements on reasons to be virtuous. They aren’t quotes, they are my own paraphrases of the views held by different philosophers:

  1. “The best reason to be virtuous is because of the nature of the human soul - we were created to be virtuous, and we do damage to our own nature, our own souls, if we deceive others and act with cruelty.” (Plato)
  2. “The best reason to be virtuous is because of God’s decree - He commands us to do certain things and not to do certain other things, and out of either love or fear, we ought to obey his commands.” (William of Ockham)
  3. “The best reason to be virtuous is the force of social pressure - if you are dishonest and cruel to others, society will shun you, and your capacity to enjoy life will be diminished.” (Ayn Rand)
  4. “The best reason to be virtuous is for the cause of greater social good - society as a whole is better off when people are honest and compassionate toward one another.” (Peter Singer)

There are certainly more options than the ones I’ve presented (include the option to say we shouldn’t be virtuous!), but let’s start with these. Which of the four statements above seems the most true to you? This isn’t a survey, don’t just jot down your answer; give us a little insight into why you think your option is the best choice.

Next in series: Ayana and the Sacred Song

Seasonal Affective Reordering

I love these kids.

These bright eyed recruits, fresh to the craft, newly minted and unpolished, these old and young all-at-once, these boundless excesses of energy, not yet stunted by perspective.

They are as unafraid of questions as any group I’ve ever seen, setting their frame-of-reference up against everything new and ready to see it changed and stretched and grown. They are wolves, and every new thing is their prey. Knowledge, experience, fear, wonder, they hunt it down with precision and abandon.

I sit down to eat with one of them, and hear confession. They are uncertain, and afraid, but they are undaunted. They are ill-at-ease with their received faith, with simplicity and steps and a church reduced to social gatherings, and are looking for some way of meshing old truths with the complexity of the world as they are coming into it. This is the very meaning of courage, to me, to lay aside old comforts in order to take up greater things.

UCO rehearsal campIn these days before the start of classes, there is the luxury of unhurried time, and a kind of egalitarianism. I am not yet their Professor, they are not yet at the mercy of my gradebook, and we can talk freely. We can be friends, for a few days more, and we can talk about ideas and their consequences. I think sometimes that I get to do my best teaching in these last few days of summer, when the campus is full of eager students, and my time is unbounded by lectures and grading.

I love this place, and these kids, and my place here with them.

Academic Cynicism

A few weeks ago, I stumbled across a website where professors can anonymously bitch about their students, their administration, their colleagues, their facilities, their parking spaces …

It was funny at first, and a little cathartic. Then, after reading through more and more of the site, the cynicism started to get to me. It was post after post of profs talking about how apathetic and sarcastic their students are (where do we think they learned it?), about the sense of entitlement that students have these days, how dense they are, blah blah blah.

I know that sites like this are a caricature; nobody has a great day of teaching, or a meaningful interaction with students, and thinks, “I should bitch about this on my favorite anonymous professor blog.” You get people reacting to their most frustrating experiences of the semester.

Still, it reminded me again of something I’ve often thought: I have no desire to be a part of academia at large. If my position at APU goes away for some reason (like, if they find a dead body in my office. Or a copy of ‘Generous Orthodoxy’), I probably won’t even bother looking for a similar position somewhere else. I’m not all that interested in being a professor - I’m very interested in doing what I’m doing here, at this place.

I love our students. They are, for the most part, optimistic and intellectually curious. When we bump into each other outside of class, they want to have conversations about ideas; how cool is that?

I love the faculty that I get to work with. They have that critical mix of high intelligence and pragmatism; they are interested in what actually works, not in what theoretically should work (you have to spend a little time at academic conferences in order to appreciate how rare that is).

I respect my departmental leadership. The Dean is a political monster, able to bob and weave with the best of them, but he uses it to protect his faculty from administrative interference, and to advocate for student learning. His authority doesn’t just come from his position, it comes from his ability in the field. He can deliver. He’s a musician, who also happens to be adept at the politics of administration.

They give me the proper tools to teach my subject matter. I teach a technology class. Every 3 years, they rebuild my teaching lab from the ground up with the latest technology. Getting the right software for the job is rarely a fight. We have our turf wars with the IT guys, but it hasn’t yet inhibited the teaching environment.

I dunno. Maybe if you check back 10 years from now, I’ll be bitter and jaded and will spend every moment complaining. But not now.

Maybe it’s the two bottles of wine that I polished off over lunch while writing this, but I’m feeling blessed.

LA Opera

So, add someone else to the list of our people who are doing cool things with their lives! Letitia Ugwueke (formerly Johnson) is singing as part of the chorus for the LA Opera Company production of Porgy and Bess. Go Leti!

porgy and bess

Student Projects

This is the first of a two-parter (updated below). Last week my students turned in their final projects for the class “Production Techniques”. It’s a group-based independent study kind of course. They work together, over the course of a semester, to go from song-writing demos all the way to final mixes. They manage everything; budget, timeline, contracting the players, producing the session, engineering (mostly), mix, the whole shebang. We toss them the keys to the ProTools HD room for a few nights, and they go nuts. For most of them, this is the first time they’ve walked through the whole processes, from beginning to end.

So, here are the 3 songs done by the first team (Paul Stephens, Cindy Hayward, Julia Dedmon). Paul is the vocalist, and the primary songwriter on all three.

“All I Want to Know”

“Free”

“Just Walk Away”

(updated: decided to add the 2nd team to this same post)

Here are the 3 songs done by the second team (Elizabeth Rickman, Jocelyn Danque, Scott Ryan Ingersoll, Mike Rains).

“Buried” by Scott Ryan Ingersoll

“Leaves” by Elizabeth Rickman

“Don’t Leave Me Behind” by Scott Ryan Ingersoll