So, my Masters of Music thesis project is in full swing, and I thought I’d cross-post some of it here. I’m taking 4 books that haven’t been turned into films, and writing scores that would fit if they ever were turned into films.
The first book up is Ender’s Game, one of my all-time favorites. You can check out the work so far here:
So, a few weeks ago, ARK music productions unleashed what is, unarguably, the worst pop song ever inflicted upon a listening public. That song is called “Friday”. It has been watched by 34 million people. 34 million.
What I offer here is a bit of musical sorbet, a palate cleanser if you will, to remove the fetid taste of bubblegum ice cream from your mouth. Here are the days of the week, as they deserve to be songified.
Hey Roadies, thought I’d spread a little holiday cheer and whip up a little remix for your New Year’s Eve party mix. June was kind enough to add a little translation and of course, the obligatory pics of the kiddos. Enjoy! (If you want to download it, click the little down arrow in the Soundcloud player.)
Christmas music is in the air, and so what better time to drop the awesome bomb on ya’ll. This is an arrangement I did last year for the Cal State LA master’s program, and I never got around to posting it. The assignment was to take a well-known song, and arrange it in a style totally unrelated to the original. Behold what I hath wrought!
Awwwww yeah, it’s that time! This is the orchestral interlude to the epic Christmas opener for this year. The sound is straight out of Sibelius, so … be gracious. I’m including the score for those who wish to geek out. The section you hear starts on page 5, bar 48.
I was tracking some piano last night for a beautiful song that Chad put together, it was late and the lights were down and everyone was asleep, so I took a few minutes afterward to play through one of the greatest jazz ballads every written.
This is what the Steinway sounds like with a pair of Neumann TLM 170s on it.
For those of you who missed the 2010 New Music Concert at APU (and heavens, what else could you possibly have been doing that’s more important than driving 7 hours to hear a 6 minute piece I wrote?), here is the recording of the piece I wrote. You’ll have to excuse the quality of the recording, especially when the speech comes in.
This is the summer that I get serious about learning how to write for film/TV. To that end, I’m going to do a series of sketches, and I’ll post them here in various states of completion. Here’s the first one:
This was done by a freshman. He stripped the existing music from the film trailer for “Book of Eli” and rewrote his own score. I’ll say it again. This his first year, first time he’s ever taken a music class. He came to APU on a football scholarship, took music fundamentals last semester and found out he was pretty good at this stuff, and then 3 months later, this.
It’s the end of the year, time again for student projects. This was done by my Production Techniques class. Everything you hear, all of the instruments, the recording, the mix, everything was done by our students. It was arranged and produced by Sean Beck.
I am supposed to be writing a piece of chamber music, which has to be finished, like, yesterday. I am, therefore, of course, doing anything and everything but that. Here’s today’s little time waster. By the way, singing through a hymn 20 times is a great act of meditation and contemplation. Those words start to take on serious meaning.
Songwriting class, song of the week, called City of Angels. They gave us the chords and the form, we had to write the melody and the lyrics. I shifted all the chords over by one bar so that I could write in minor instead of major.
One of my favorite things that has ever happened in the world, ever, happens at 40 seconds into this demo.
So, Sappho 31 is done, I’m off to rush it into an envelope with the final version of the score, but I stopped first to drop it here to you good people at the Roadhouse. The demo is unmixed, thrown together at the last possible second. Many thanks to Rebbecca (Brannon) Ginzink, Gretchen Lee, and Ashley Morgan for helping me sing the female vocals.
So, I’m doing a little solo record. It’s the first time ever for me. It’s an interesting process for a guy that is always trying to help someone else do their music. I’m not sure what I sound like on my own. So, I basically gave myself a narrow niche to fill, and dove in.
It’s a instrumental piano record, but not “solo piano” music. I’m building loops and grooves and “production” out of sounds I’m creating by playing, hitting, strumming and plucking our little Steinway. The vibe is pretty chill… the idea being that it’d be a nice easy background to your Christmas party. But, since I want to be able to market it to my church and some of the Worship Leader Mag connections, I’m keeping it all sacred Christmas hymns. So, no ‘Grandma Got Run Over’ on this one. And harmonically, it’s pretty consistent too… lots of add 9, add 4, plenty of minor 11, and an occasional plain ol’ major chord.
And since everyone that makes a record these days has videos of the process up on YouTube, I figured I’d better get with the program. Hopefully they’ll be somewhat interesting since I’m doing more than just sitting at the piano playing pretty. So, the first two vids are up, on YouTube and on my website. And of course, here.