Updates from February, 2010

  • Stand By Me ... e ... e ... e ... e ... e

    michael 2:16 am on 26 February 2010 | 7 Permalink | Reply

    Proof positive that Michael Lee should not be left alone in a room with a bottle of scotch, a laptop, and a classic soul music icon after Gretchen has gone to sleep.

    Ladies and Gentlemen, I give you an utterly destroyed version of Stand By Me.

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    update
    made some edits to the ending, tweaked the mix a bit now that everyone is awake and I don’t have to listen on earbuds.

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  • New Music

    michael 12:16 am on 24 February 2010 | 3 Permalink | Reply

    I’m writing something. It goes like this:

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  • City of Angels

    michael 6:33 pm on 23 November 2009 | 4 Permalink | Reply

    Songwriting class, song of the week, called City of Angels. They gave us the chords and the form, we had to write the melody and the lyrics. I shifted all the chords over by one bar so that I could write in minor instead of major.

    Enjoy!

    City of Angels

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  • Sappho 31, The Demo

    michael 3:00 pm on 1 October 2009 | 17 Permalink | Reply
    Tags: , ,

    One of my favorite things that has ever happened in the world, ever, happens at 40 seconds into this demo.

    Ever.

    So, Sappho 31 is done, I’m off to rush it into an envelope with the final version of the score, but I stopped first to drop it here to you good people at the Roadhouse. The demo is unmixed, thrown together at the last possible second. Many thanks to Rebbecca (Brannon) Ginzink, Gretchen Lee, and Ashley Morgan for helping me sing the female vocals.

    Sappho 31

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    download

    The Score:
    Sappho 31

     
  • It's that time of year.

    Stick 10:46 am on 22 September 2009 | 35 Permalink | Reply
    Tags: , ,

    Christmas record time!

    So, I’m doing a little solo record. It’s the first time ever for me. It’s an interesting process for a guy that is always trying to help someone else do their music. I’m not sure what I sound like on my own. So, I basically gave myself a narrow niche to fill, and dove in.

    It’s a instrumental piano record, but not “solo piano” music. I’m building loops and grooves and “production” out of sounds I’m creating by playing, hitting, strumming and plucking our little Steinway. The vibe is pretty chill… the idea being that it’d be a nice easy background to your Christmas party. But, since I want to be able to market it to my church and some of the Worship Leader Mag connections, I’m keeping it all sacred Christmas hymns. So, no ‘Grandma Got Run Over’ on this one. And harmonically, it’s pretty consistent too… lots of add 9, add 4, plenty of minor 11, and an occasional plain ol’ major chord.

    And since everyone that makes a record these days has videos of the process up on YouTube, I figured I’d better get with the program. Hopefully they’ll be somewhat interesting since I’m doing more than just sitting at the piano playing pretty. So, the first two vids are up, on YouTube and on my website. And of course, here.

    Intro to the Christmas Record

    Meet the Steinway

     
  • God is Good: Sermon Audio

    michael 2:15 pm on 20 September 2009 | 5 Permalink | Reply

    Posts in the Sermon Prep: God is Good series

    1. This Week’s Sermon: God is Good
    2. God is Good, Good, Good. Mostly.
    3. God is Good: Sermon Audio

    The audio from this morning. Here’s the link to download the file:

    God is Good (audio)

    Or listen here in your browser:

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    Enjoy! I’d love to hear your feedback.

    Previous in series: God is Good, Good, Good. Mostly.

     
  • What a difference a conductor makes.

    Sharolyn 2:54 pm on 7 September 2009 | 15 Permalink | Reply

    One of these conductors captured my attention and emotion. The other didn’t. Do you have a preference? If so, why?

    Bernstein conducts Beethoven

    Karajan conducts Beethoven

     
  • Phat Beat

    michael 8:01 am on 29 July 2009 | 0 Permalink | Reply
    Tags: , , programming,

    We’re recording an album this week, of the touring small group from APU. It’s going to be pretty good.

    We’re doing one song that’s a deep R&B, hip-hop groove. In pre-production, I built this massive phat 808 electronic kit loop. We tracking scratch vocals yesterday, and the group went nuts over the loop. I mean, seriously nuts.

    I guess they didn’t realize that all the great hip-hop songs are actually programmed by middle-aged white guys living in the suburbs.

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  • Behold, Emmanuel

    Stick 1:04 pm on 11 July 2009 | 23 Permalink | Reply
    Tags: , , ,

    So, this guy I know wrote this really cool choral piece for men’s choir.

    I’ve gotten to know a very cool local choir director (she’s Zane’s piano teacher too) who roped me into playing percussion for a couple choir concerts, as well as doing a recording of her community choir singing last Christmas season’s program.

    Like most music majors, I sang in the big choir at school, and was exposed to some pretty cool music back then. And like most “commercial” musicians, I don’t hear or write that sort of thing in the course of my typical pop/rock record production gigs.

    So, inspired by this reemergence of “serious” choral music in my life, I thought maybe I should give it a try. Janine, the aforementioned choir director encouraged me to write something for Christmas, and offered to have the choir sing it, assuming it passed muster.

    I came up with this.

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    Behold, Emmanuel

    Obviously this is just a demo… Thanks to Michelle, Alissa and Ryan for singing the parts I couldn’t.

    Janine seems to like it. She’s offered to show it to a bunch of mucky-mucks she knows in that world, so who knows where it’ll go. I’m sure I’ll be losing all sorts of street cred as a hip pop/rock producer by dipping a toe in the choral music world, but I figure in the spirit of “lots of irons in the fire” it can’t hurt.

    Let me know if you’d like to see the score… I’ll email it to you.

     
  • Our Father, Vindicate - Finished!

    michael 1:08 am on 28 June 2009 | 25 Permalink | Reply
    Tags: , , , , endurance, , , , , ,

    On May 28th, 2008, I jotted down the first few notes of Our Father, Vindicate. I stared with the melodic theme (E – D#, F# – D#), and the sound of that flat 6 suspension in bar 26. One year and one month ago today.

    A few minutes ago, I just finished the final mix of the recording. It’s such a huge feeling of accomplishment to see this thing come together, and to have something solid in hand, something people can hear and respond to. I’ve loved writing this piece, I’ve hated it at times, I’ve put more hours into it than anything I’ve ever done, and I feel like I’ve grown a lot as a musician because of doing it. I’m glad it’s behind me, but I’m very glad to have done it.

    So, here it is.

    Our Father, Vindicate
    By Michael A. Lee

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    Downlod the chart: Our Father, Vindicate.

    The vocalists are, in order of part from top to bottom:
    Anthony Maglione
    Brent Froelich
    David Loucks
    Jessie Bullock
    Kyle Campbell
    David Kress
    Lucas Short
    Phil Nash

    Additional vocals by Michael Lee, and Harold Clousing.

     
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