The Swamp Effect

I have a horrible habit. At some point in every project, things start not sounding … right. Good. Emotional. Whatever. The train has jumped the track, and is off wandering through antique stores on State Street. I’ve lost my way.

At this point, I do the same thing, every time.

I do more. I do everything. I take every idea, and make it louder. I double it. I do it in octaves. I do it with a triplet backing rhythm. I add 3 string samples and 2 pads, on top of 3 more loops and a delay. I start putting out frantic midnight calls for friends to play overdub parts, stacked, with overdrive and double-stops.

I add piano, add flamenco guitar, add horn swells and swirly synths, a B3 solo, 6 passes of backing vocals, and a Taiko. With reverb. Then a reverse Taiko with even more reverb.

Then I put a limiter on the main bus, a 6:1 multi-band compressor, then another limiter. Then I turn my mains up. I turn on the sub, then add another low string sample.

The swamp effect takes hold, and whatever spark of inspiration birthed the process has been completely, utterly, horrifically buried in a morass of crap.

Save as.

Rename.

Delete.

Repeat.

3 thoughts on “The Swamp Effect

  1. Scott

    Yeah, I’m attempting to co-write a song with my sister. Second time ever, after a crash-and-burn about 13 years ago. I think we may have just created a lyrical swamp.

    … have you tried adding theremin?

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