Zack gave me a wonderful little “Escrow Survival” gift a few weeks ago, a copy of Gavin DeGraw’s new album Free. I’m diggin on it.
If you own a copy, check something out with me. Roll to the song “Stay”, track 3 on the album. Hit play. Hear that? 3 seconds in, “have to be part of the problem.” Hear that? Yeah.
That’s what a vocal sounds like when you track it in your bedroom at 3 am, engineering it yourself, and you blow a big phat “P” right into the mic with no popper stopper. That’s not the only example on the album, but it’s the easiest one to find.
So, now I’m torn. I’m not a big fan of the perfect pop experience, where everything is ironed out and tuned up and comped together into an indistinguishable amorphous wash of frequency. But … yeah. But. There are technical flaws on this record that really bug me. I can’t enjoy that tune. Everytime I hear it, I hear the pppppop. It keeps me from enjoying some very good songwriting and damn fine singing, some of DeGraw’s best I think (the previous song “Free” hangs together so well, check it out). I find myself wishing there had been a little more attention paid to the basics of good engineering.
So, I guess I’m part of the problem.